It will be a hit.
Publishers will actually vie for your favor, coaxing you out with
promising advances, solid royalty return plans.
The struggling market for publishing hard hitting works of fiction will
be a mystery to you, prettiest girl at the literary dance.
All this for a book that you couldn’t sell earlier this year,
when it was still about North Korea.
You could blame a number of factors. Shortsighted publishers, a poor understanding
of international politics, a shrinking non-fiction market. But then, the market for fiction is perceived
as ever-shrinking as well. So how do you
explain it?
You aren’t interested in trying. You’re just interested in planning your
sequel, where Space Jackson (you renamed your Korean peasant so that he’d be
more palatable to North American audiences) stages an uprising against
Kim Jong-Un (whose name you didn’t have to change for some reason).
Your prose is lackluster, and your original manuscript
trades primarily on rendering in cold, exacting detail the struggle of daily
life in North Korea. The sequel will be
a disaster, poorly written, irregularly plotted and hackneyed beyond belief
where it won’t be weirdly jingoistic.
But what do you care? You’ll have
published a best-seller. You’ll be owed
a final book in the trilogy by merit of your contract, and thanks to your
advance, you’ll be rich.
Congratulations on Selling Your Dystopian Fiction Manuscript!
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